One of the most interesting projects on which I have been working over the last few months is finally on paper — at least part of it (download available from the publications list). For once, there is even a better name than the usual acronym: it is “Vertigo”, from the Hitchcock 1958 movie. But the proper meaning of “the sensation of spinning or having one’s surroundings spin about them” (Wikipedia) is not irrelevant: the only difference is that the surroundings investigated by the project are the media surroundings, or a mix of media and “real world” surroundings. The main goal here is making possible a more enjoyable and interactive exploration of movies, videos, music (linear media in general) by shaping, following and sharing “media trails” or traces. As reported in the paper, this is an idea well rooted in the early history of hypertext. The work has been done in very close cooperation with Jukka Huhtamaki, researcher at the Hypermedia Lab of Tampere University of Technology, and Renata Guarneri, a former project colleague in MobiLife (with Siemens, one of the main industrial partners in the consortium led by Nokia) now Principal Technologist at CREATE-NET (I am consulting them on different initiatives), plus several people at various research organizations in Europe.Renata has just presented the paper at Digibiz 2009,
I am very grateful to Jukka, Renata, CREATE-NET and all the others for the opportunity to delve once again in the intriguing subject of bringing interactivity to screen based media and music, to the living room context in general.
It is now about ten years since the first time I tried some serious effort on the topic by contributing to an essay on TV and interactivity (in a book edited by Laura Tettamanzi and published with the sponsorship of Italian public broadcaster RAI). Ten years is a long span of time: we have seen the dotcom boom and bust, the social media explosion, the 3G come of age etc. Yet TV and movie watching haven’t changed that much — compared to music say. It is no chance that this work started with very inspiring discussions about Last.fm…
“40 years of Design Research” is a short but very informative piece by Nigel Cross (currently president of the DRS-Design Research Society, professor at the Open University, author of many books and articles). Originally written as a 2006 conference address, it has been then published in the Design Research Quarterly (the DRS official publication), where I found it some months ago. I thought that this was very well suited for my Design Methodology module on “Philosophy of Design” at NABA Media Design, and I completed the Italian translation before Christmas. Nigel has kindly given his permission for using it in teaching; he also made me smile as he replied to my final thanks commenting “how much more elegant it seems in Italian!” 😉
The workshop was very well organized and to me it has been quite satisfying to join an event like this in Italy for once (instead of Bruxelles or some capital up in the Nordic region — I love the Belgian beer and the Nordic light, but I can not rush there with my motorbike in 45 minutes 😉 (joking… but the relative rarity of these settings in Italy is an issue; I will not discuss it here anyhow).
Talking about content, I enjoyed very much the informal exchanges with a few other attendants interested in the “networked media and 3D Internet” research area of the forthcoming 2009 calls (including friends from some of my preferred examples of excellence in European ICT research like HIIT and Fraunhofer FOKUS). We started discussing after a very nice visualization example of Last.fm listenings made with Vizter (created by super-brilliants Jeffrey Heer and Danah Boyd) from a Tampere Technical University Hypermedia Lab researcher; having just seen an overview of the research agenda brought forward by NEM, a prominent European and global forum on future media and network technologies, we had an initial but intense chat on possible research proposals at the intersection of media management and consumption, social network visualization and other related stuff.
Set up by the M-Node of Planetary Collegium and NABA Media Design program to discuss the perspectives of new media art educational and research work, with special regard to the forthcoming fine arts academies reform (in Italy).
I have been invited to present the paper on my Design Methodology course accepted at HCIed 2008 and co-chair the sessions with Francesco Monico, event curator.
The worshop took place at Centro Forma (Milano exhibition centre devoted to photography). Richard Avedon pictures made a fascinating (and disquieting) background.
Presented a short paper at HCIed 2008 about my undergraduate course on Design Methodology and Philosophy of Design, now running for the fourth year at NABA. HCIed is the annual international conference of Human-Computer Interaction (HCI) educators.
The paper title is “Unfreezing thoughts. Philosophy, design studies and role playing games in a foundational undergraduate course” (download from publications page). Then, the conference organizers invited me to join a panel called to discuss the paper contributed by Russell Beale (University of Birmingham, BCS), “Architects or builders; scaffholding or duck tape?”, regarding the role of HCI education in University level courses (I proposed to educate “builders with a conscience” — download). Since Russell could not make it to Roma, the panel was chaired by the conference keynote speaker, Harold Timbleby (Swansea University; his fifth book, “Press on”, has received an important award); panelists included Tatjana Leblanc (University of Montreal) and Lars Oestreicher (Uppsala University); both of them presented at the conference interesting contributions on HCI, design, complexity and education implications.
Among others, I had very nice talks with Carlo Giovannella (Università di Roma Tor Vergata-Scuola IaD, event hoster), Tatjana Leblanc, William Wong (organizing committee) and Toni Granollers (Universitat de Lleida).
HCIed 2008 has been held at the central premises of CNR in Roma (the building facade is quite an example of the 30s Italy official architectural taste, to say so… The building has been inaugurated in 1937).
Digital, technology, UX, design research. Reviews. Some Philosophy here and there.