Tag Archives: reviews

The Digital Transformation Playbook by David Rogers (2016)

The Digital Transformation Playbook by David Rogers (from now on: Rogers 2016), professor at the New York Columbia University, has been published on April 2016. I read it thanks to Fabio Paracchini @fcvg –he handed it over to me in an immaculate, shiny hardcover format. To the best of my knowledge, this is the second notable book offering an overview and a framework on the topic, following Leading Digital by George Westerman, Didier Bonnet e Andrew McAfee, published in 2014 (from now on: WBM 2014). I wrote about WBM 2014 more than one year ago.  Before getting into Rogers 216, I have to say that I am a bit puzzled by the relative rarity of these works. Let me clarify. The literature on the relationships between technology, business and society at large is vast, to say to least. However, studies that are precisely focused on the phenomenon dubbed as “Digital Transformation” are still few and sparse, especially if we restrict the range to solid, extensive analysis, discussing it in terms of boundaries, origins and evolution. Yet the formula is very much in vogue. Most likely I have missed this or that other book or paper. So anyone willing to point me in the right direction is very much welcome.

Rogers 2016 has a different genesis than WBM 2014. The latter started from two primary research cycles that provided the authors with an empirical basis, from which they shaped an interpretative model. Rogers has followed a more articulated path. The beginnings come from an earlier book by Rogers dedicated to people and consumer behaviour (sorry, I haven’t read it: The Network Is Your Customer: Five Strategies to Thrive in a Digital Age, 2011). Then Rogers has drawn from a series of interviews, personal exchanges and feedback collected over the years as he was advising companies or giving executive education course all over the world. Finally he has researched a number of academic papers, magazine stories, analyst reports and blog posts, all rigorously cited in the notes.

One of the more valuable contributions of Rogers 2016 is the identification of a number of cases that explain how all of those companies founded before the Internet came around cope with what we call “Digital Transformation”. The analysis starts with the definition of five domains: customers, competition, data, innovation and value. A newly launched startup or a well-established corporation would show very different choices and course of actions in tackling these strategic contexts. Yet both of these types of businesses have to transform themselves according to “digital era principles”. From this point of view, Rogers 2016 has a very similar standpoint to WBM 2014, in which too the primary focus was on all of the businesses that are not centred on digital technologies, even though they have to use them. This is not optional: their customers and collaborators have adopted these technologies anyway. In other words, here we are looking at those enterprises that at times are loosely categorized as “traditional” companies, implying that under this label falls any entity that has not its core in the Internet technologies. I think that this a good reason for making the reading of Rogers 2016 mandatory for anyone in the service business, not less than it was the case for WBM 2014. Be you someone working at an agency or consultancy, a solution provider or a vendor, of global scale or in a specialized niche, corporate or freelance, I think these books are highly relevant to your work.

As said, the case studies make one of the most interesting aspects of Rogers 2016. Even a 244 years old business like the Encyclopaedia Britannica can successfully embark on a digital transformation journey. The famed publisher, once dependent from the sales of the leather bound paper edition, has reinvented itself as a solution provider for the educational market. To get it there, it has shaped a new balance between its scientific heritage and a novel, more dynamic operational model. The Weather Channel is another case of radical transformation. It used to be a pure media company, highly specialized in weather forecasts, based on the daily elaboration of huge amount of data. Then it found out that these capabilities were not only a key asset but also a source of innovation and competitive advantage. Starting from them, they have developed an all-new range of services for a number of industry verticals that relies strategically on weather modelling and forecasts. Data have become the cornerstone of their transformation (The Weather Channel has been acquired by IBM in 2015; a few months ago they have announced a new “hyperlocal” weather forecast service).

…for each Britannica there is a Kodak or a Blockbuster

On the other hand, Rogers warns that for “each Britannica there is a Kodak or a Blockbuster”, or, in other words, there is a company that refuses to acknowledge the new rules of the game, trying to avoid the strategic change required by the digital reality. Once again, the advice recalls similar warnings of this inevitable wave of change already emphasized by WBM 2014. On a second thought, these warnings might sound a little bit too obvious for those of us that are in the agency or consulting business. One could wonder if these calls to action actually resonate as they should. Perhaps we are in a transition phase, in which many companies prefer to tackle the all thing with a lot of caution, encouraged by the fact that in their field there is still no startup going after their business with a disruptive technology and an innovative business model. It would be interesting to assess if that’s the case in analytical terms, looking at the specific situation of each country and each market.

One more very valuable and distinctive contribution of Rogers 2016 consists in the elaboration of a set of strategic planning tools, based on a combination of scientific literature and hands on consulting expertise, as they draw from the workshops led by the author. They cover pretty different domains, from ideation to mapping and planning. If used as analysis models they indeed can lead a team in defining shared and sound conclusions, following a rigorous process. This is the “playbook” core of Rogers 2016, rich of advice for real life practice, encouraging readers to take advantage of these helpers to better cope with digital transformation challenges.

There is further contribution of Rogers 2016 that sounds particularly new and original to me: it is the discussion on the “disruptive innovation” concept coined by Clayton Christensen, following the earlier path of “creative destruction” defined by Schumpeter. First Rogers starts defining the subject – a much-needed step considering that the expression has become a sort of buzzword. “Disruption” does not mean “extremely innovative”. So yes, a company, product or service are “disruptive” when they provide something of unprecedented value to the market, thanks to a business model that traditional competitors are not able to replicate. This is not to say that whatever extraordinary innovation anyone is able to achieve is less valuable in any way. However, it would trigger different market dynamics. They might open up novel business spaces, but without making traditional competitors plunge into a crisis, as is happens when proper “disruptive innovation” occurs. Having said that, Rogers delve into the discussion of Christensen theory; according to his model, “disruptive” innovators displace traditional competitors by reaching new customers with initially less robust but cheaper solutions, exploiting some sort of new technology. Then they keep improving them until they become mature enough and of greater value than those offered by the incumbents. Now, Rogers acknowledges famed independent analyst Ben Thomson for a critical intuition on the nature of Christensen model: it works well with business to business market contexts, but it fails to explain the cases in which consumers are those that determine success or failure of a given product or service. If we take the iPhone, which is more of a product-service system than an isolated product, what has happened is has displaced the dominant incumbent with a combination of higher quality and price, something very far from the pattern identified by Christensen. There was no price discount at all and the overall experience was superior from the very beginning, so that it became an instant success even with the customer of the best Nokia phones. The “disruptive innovation” brought in by Apple has provided consumers with something of unprecedented value and over time has proved to be impossible to replicate by Nokia in a short timeframe. Rogers’ explanation to this case is a theory of “business disruption” that would make Christensen model a special case of Rogers’ approach. Using the logic and the concepts typical of the business model theory, Rogers focus his attention on two core elements, the “value proposition” and the “value network”. According to Rogers, we have “disruptive innovation” when a company manage to bring radical change in both of these dimensions, and only then. To make its argument, Rogers discusses three big cases. Beside Apple vs. Nokia, he focuses on Blockbuster vs. Netflix and Warby Parker vs. Luxottica. I enjoyed very much the reading, here: these pages are very timely and clear, and they illustrate well how the theoretical models presented earlier are translated into real business stories.

One last topic that unfortunately is only briefly outlined concerns the role of agencies and consultants. As Rogers weights the competencies needed to face the new behaviours of digitally enabled consumers, he writes that outsourcing would be a serious mistake. The turn that organizations are facing is so important that delegate it to someone else would be to concede that they are not able to steer their future direction. On the other hand, Rogers is also ready to acknowledge the positive role played by external partners. Discussing rapid prototyping, he recalls e.g. the case of R/GA with a quote of the former CTO John Mayo-Smith. For a partner committed to the innovative Nike projects like R/GA it was essential to “build something” even in a 2 weeks’ cycle, so that athletes and other stakeholders could be shown something real to get feedback, and feed it into further fast development cycles. So, apparently the cooperation between agency and client company can be beneficial, as the first not only provides efficient delivery but also conveys with it new values and a new way to work, modelled on digital principles. I think that this is a very important issue, not only from my point of view as an agency professional. The capabilities and the technologies that are shaping the big changes ongoing now are very distributed: as said earlier, we have the big platform player, with their unique dynamics (GAFA and other similar leaders) and the all spectrum of solutions providers; we have the marketing and communication holdings and the independent agencies; the large consultancies and the individual freelancers. All of these actors collaborate in constellations that to me are also proper “value networks”, different for each company, playing an important role in the company business model. I believe that thorough investigation of these dynamics is necessary: we need to identify patterns and best practices. Rogers 2016, not less than WBM 2014, will be a valuable companion for those willing to start the work.

I report here another review of Rogers 2016: Kathy Anne Cowie, “Book Review—Inspiring Transformation for Decades to Come”, Global Business and Organizational Excellence, July/August 2016; it is a premium content, available on demand or via a library subscription (I bought it on Readcube).

Adventures in Adland

A post a year is not exactly brilliant but whatever – at least there is a post coming after one year… So over the winter holidays I managed to finish reading Adland by Mark Tungate, in all of his 2007 hardcover edition weight and dignity – how long since I haven’t bought an hardcover? I think there was no ebook version available yet when I looked for it, but I might be wrong (I noticed that now there is a new July 2013 edition, Kindle and paperback versions). Here it comes my review, ready to be copy pasted into Goodreads, Amazon, everywhere (joking, I just started again with Goodreads because it seems to me that aNobii is moving slowly, if not going downwards, which is sad because I like the service, without having been a heavy user).

Adland, full hardcover beauty, real paper!

Adland is a very well written story, and a rare example, perhaps still unique, of an history of advertising offering a global perspective (note that I haven’t done any serious bibliographic research, but I’m pretty sure that this book will stand out for a long time in any case).

I think that Adland is most fascinating when it comes to the portraits of men and women that have built and developed advertising over the decades. Tungate has interviewed many of them in preparation of his writing or he has talked to them elsewhere as it appears evident from his standing as a top class journalist. It’s a kind of paradox, but even if naming agencies after the founders is one of the more enduring practices in advertising, very often little is known of these people, and even more of co-founders, and the other most important collaborators, were they partners in the business or not (I mean, all of the great professionals beside the greatest starts, the David Ogilvy, Leo Burnett, Bill Bernbach and so on, which do have an obvious prominent space in the book) – and then sometimes clients played a key role also (even if by and large this is an history from the agency side). Now, advertising means of production are people – well, raw material is culture if you wish, but it’s not a ready to use asset that you can buy on your own, as you would do with whatever commodity or manufactured good. You need people anyway to make it work! This is typical of professional services in general of course – which by the way are often not well covered by business histories as far as I know.

Bill Bernbach and Leo Burnett in the nice B&W photo insert

On a critical note, I would say that the very last chapters are less convincing, or let’s say that even if they put it clearly about the total overhaul of the advertising world spurred by the Internet, there is no proper discussion as such. I read somewhere online about a possible “Adland 2” from Tungate so who knows, something not less robust on the topic might well be in the working.

PS: I’ve been always interested in the collective and often anonymous nature of many creative endeavours. Advertising I think is a typical example, in that often people experience artifacts with no mention of the authorship (which is very relevant instead in a trade or analytical perspective). Right on the topic, I’ll add here a shameful propaganda note to Advertising is the eye of the beholder, a personal side project based on Instagram and Tumblr.

Buona matita (about social design)

“Buona matita social club” (“buona matita” translates as “good pencil”) is one of the few headlines that caught my attention on a magazine that I was lazily browsing last week while coming back from Isola d’Elba on the ferry (yep, vacatiors are over). The article, signed by MOMA architecture and design curator Paola Antonelli (let me note that she is an Italian), is about the emergence of social design and the idea that there are *not* only “pretty chairs and limited edition lamps” to care about in the field; UK designer Hilary Cottam’s work is reported as an example. Of course this might sound obvious to many specialists but I think it is still very new for the general public.

It could appear ironic, or notable at least, that the story appeared on a magazine entitled “Style” and that it is all about lifestyle and fashion in the most conventional meaning of expensive and sophisticated products, or, well, this is what its several advertisers sell (the magazine is packaged on Friday with the big Italian daily Corriere della Sera and it is mainly addressed to an adult, male and affluent readership; you pay an extra 50 eurocents for it).

Perhaps this is one of the many small signs of the increasing awareness of the themes so much discussed at Changing the Change in Torino, where I did have the impression of a very important but still quite relatively young and specialistic environment (despite the fact that some of the key principle and perspectives have already a quite long history in the design thinking tradition – Paola Antonelli quotes e.g. Papanek and his “Design for the real world”, published back in 1971.  Update 9th of November 2013: see below the memorable 1973 cover, taken from a 2012 Domusweb article, again from Paola Antonelli )

Victor Papanek
Victor Papanek “Design for the Real World” 1973 edition great book cover